Saturday, January 11, 2014
Time
Time (346 Broadway, NY) - In youth, time is in the moment, shining glory, unveiling discovery, dismissive of what's cheated or taken for granted. In a coming of age, time is an entire history where every moment makes sense in a bigger picture, a greater good and a reconciliation of the past. Adversity is a known friend. New York born Amanda Peet in the Clock Tower turns 42 today. A scene from Griffin and Phoenix (2006) time stamped.
Wednesday, January 1, 2014
Change How World Is Mapped (Geo-Design)
"Locative media" and "Locative Art" are terms as obscure as social media once was. I anticipate this is the media that will eclipse social media.
William Gibson got it early on when writing about a Sixth Sense visor in Spook Country that could see dead people (like River Phoenix at the Viper Room). Location-based art and stories that once took place at a spot are seen through a visor that blends the past with the present, then and now. Imagine seeing ghosts of what happened anywhere.
In over 17,000 hours, Jump2Spot compiled the world’s largest GPS story atlas featuring where movies scenes, music history, biographies, literature, art and disruptive inventions took place. 1.25 million geo-curated assets were compiled into 125,000 stories.
William Gibson got it early on when writing about a Sixth Sense visor in Spook Country that could see dead people (like River Phoenix at the Viper Room). Location-based art and stories that once took place at a spot are seen through a visor that blends the past with the present, then and now. Imagine seeing ghosts of what happened anywhere.
In over 17,000 hours, Jump2Spot compiled the world’s largest GPS story atlas featuring where movies scenes, music history, biographies, literature, art and disruptive inventions took place. 1.25 million geo-curated assets were compiled into 125,000 stories.
Among assets, photos of the day curated daily over 7 years were geo-tagged covering the
world’s most photographed spots. Locative media is about compiling the most interesting digital artifacts at a place creating a compelling locative stream.
Jump2Spot can now power a highly curated street view, stitching stories and
visuals street by street for a new kind of geo-browser. You can see meaningful visuals and stories instead of stock imagery and status reports.
Ley lines of inventive energy towards where notable people gravitate are mapped along creative hot spots.
With best-of-breed geo-content, Jump2Spot will be visually recommending notable stories for geo-tags in social media and address searches. Today one in five Google searches are location-related. Pinterest has seen rapid growth in location-related boards. Foursquare has a major initiative to recommend places nearby. 25 billion geo-tags await our story recommendations. Imagine taking a photo and being able to see stories about it.
With best-of-breed geo-content, Jump2Spot will be visually recommending notable stories for geo-tags in social media and address searches. Today one in five Google searches are location-related. Pinterest has seen rapid growth in location-related boards. Foursquare has a major initiative to recommend places nearby. 25 billion geo-tags await our story recommendations. Imagine taking a photo and being able to see stories about it.
This atlas of inspiration is an opportunity to re-think and re-define the nature of location-awareness.
At Jump2Spot, stories of the most followed people are geo-tagged at their hot spots. Today Jump2Spot is 4x the world's longest book in words and triple the 1st digital encyclopedia in entries. Each geo-coded entry has a notable visual, story and link.
Connective stories match people with stories at a place. Stories can be recommended for what you are doing - what you photograph, what you view, places you search and where you post.
At some locations, you can see a time lapse of photos spanning a century. At other locations, you can see where notable people intersected and made history happen. The dreams of change-makers and history-makers have been mapped near your activities.
Today you can open an app and instantly see stories near you. You can also search any address for stories. Tomorrow you can geo-tag your photos and check-ins and see notable stories related to your places.
This initiative is for the rock star who wants a rock star stage.
Developer
The 1st books have been fully geo-tagged
We’re looking for a coder who wants to build a next-generation locative media experience. GPS and maps today show the same old stuff nearby. Geo-refreshment is the new cartography.
You’re a creative thinker and problem-solver with tremendous
empathy for user experience. You’ve demonstrated effective capabilities
working with design teams and finishing consumer products to success. That's great team work.
You’ve extensively used and worked with GPS and geo-tags. You know the depths of address searches, desiring to take your domain knowledge
and define a new frontier.
You’ve worked with mapping platforms.
Coding Traits
- You have a penchant for writing elegant code, improving
efficient data processing. You are determined to de-bug every line of code to
compete with the best.
- You see code as Art.
- You are driven to learn everything about the geo-space and to
influence it, making your mark as a coder in the space.
- Your most important product feature is “speed”
- You are a “whatever it takes” to get the job done well person.
- You know data (a lot of it) and traffic (a lot of it)
- You know data (a lot of it) and traffic (a lot of it)
Contact: @Jump2Spot on Twitter or Jump2Spot@Gmail.com
Platforms
- We are currently working in Ruby on Rails and iOS and have
strong demand for Android services.
- The data is platform neutral and API-oriented with interest from world-class clients in the
geo-tagging and address search space.
Designer
New history is revealed
We are looking for a designer with a strong passion for
story-telling, history, and
location-awareness.
You’ve got experience organizing a high volume of data into
a compelling visual experience.
You’ve finished consumer products to success.
Design Traits
- You love culture
- Inspiring portfolio of typography and look and feel (ideally story-related)
-
Proven user experience track record
-
Projects with a high volume of traffic and data
-
You are a great communicator with local and remote team
members and clients.
-
You think in terms of new (not old) and think outside the box
-
You are a “whatever it takes” to get the job done well person.
-
You understand media and new mediums
-
You are strong at visualizing spatially
-
You think in terms of efficient experiences (space and time
are valuable)
- You only care about user experience as a goal, especially at point of entry and for what will be remembered as a takeaway
- You only care about user experience as a goal, especially at point of entry and for what will be remembered as a takeaway
Contact: @Jump2Spot on Twitter or Jump2Spot@Gmail.com
* * *
Shooting Star
Everyone's tool box starts off on a equal playing field. But there is always that special one who has no prior experience who invents the next generation of the internet. You have unlimited drive, passion and learning capabilities. You have no past. You are the future. We will listen to you.
- You are a “whatever it takes” to get the job done well person.
* * *
Shooting Star
Everyone's tool box starts off on a equal playing field. But there is always that special one who has no prior experience who invents the next generation of the internet. You have unlimited drive, passion and learning capabilities. You have no past. You are the future. We will listen to you.
- You are a “whatever it takes” to get the job done well person.
Saturday, December 21, 2013
How Geo-tags and Tags Change Historical Records
Imagine re-doing history to see where "Elvis checked in."
That's how I spent 12,000 hours of my time. I helped a lot of dead people check-in as one friend jokes.
Applying geo-tags and tags to people who never had the internet dramatically changes the lens of history. You can see the past - more revealed - as if social media existed in their time.
Seeing Sheri Martinelli as a mutual friend of Anais Nin, Ezra Pound, Allen Ginsberg, Charles Bukowski, Marlon Brando, ee cummings and Charlie Parker makes you see her relevance as a muse.

Patsy Cline checked in at Triangle Diner across from John Handley High to start a "path." Plotted paths of profiles show the where and how of a trail blazed - and intersections with notable people. You can see places in history that had a great vibe and the melting pot of moments. A dream is mapped to answer how one goes from Triangle Diner to making world history.
Plotting paths reveals things you never saw in written history. Like why did F Scott Fitzgerald move into the same building (38 West 59th St, New York) as one of his hate-mailers within months of seeing the letter? Was this move a riposte?
Suddenly Bob was his neighbor.
After geo-tagging the biography of Steve Jobs, I wondered why he never set foot in Canada. Not publicly anyways. Did he have a thing against Canadians?
Notable addresses led to other inter-connected addresses. It was incredible to see how Steve Jobs, Michael Jackson, and Princess Diana got onto the same elevator from different floors of Carlyle Hotel. That's a metaphor for what you can see geo-tagging history.
Geo-patterns defined pathways of trailblazers. You can see how destiny was shaped. The people who made history at more than 400 places became legends. Warren Buffett changed history less staying home than a globetrotting Allen Ginsberg who never seemed to have a salary.
Jump2Spot is the world's largest GPS story atlas featuring where movie scenes, music history, art, invention, books and biographies took place. Stories are also geo-tagged at the world's most photographed spots. The present is also geo-tagged to see the future.
That's how I spent 12,000 hours of my time. I helped a lot of dead people check-in as one friend jokes.
Applying geo-tags and tags to people who never had the internet dramatically changes the lens of history. You can see the past - more revealed - as if social media existed in their time.
Seeing Sheri Martinelli as a mutual friend of Anais Nin, Ezra Pound, Allen Ginsberg, Charles Bukowski, Marlon Brando, ee cummings and Charlie Parker makes you see her relevance as a muse.

Patsy Cline checked in at Triangle Diner across from John Handley High to start a "path." Plotted paths of profiles show the where and how of a trail blazed - and intersections with notable people. You can see places in history that had a great vibe and the melting pot of moments. A dream is mapped to answer how one goes from Triangle Diner to making world history.
Plotting paths reveals things you never saw in written history. Like why did F Scott Fitzgerald move into the same building (38 West 59th St, New York) as one of his hate-mailers within months of seeing the letter? Was this move a riposte?
Suddenly Bob was his neighbor.
After geo-tagging the biography of Steve Jobs, I wondered why he never set foot in Canada. Not publicly anyways. Did he have a thing against Canadians?
Notable addresses led to other inter-connected addresses. It was incredible to see how Steve Jobs, Michael Jackson, and Princess Diana got onto the same elevator from different floors of Carlyle Hotel. That's a metaphor for what you can see geo-tagging history.
Geo-patterns defined pathways of trailblazers. You can see how destiny was shaped. The people who made history at more than 400 places became legends. Warren Buffett changed history less staying home than a globetrotting Allen Ginsberg who never seemed to have a salary.
Jump2Spot is the world's largest GPS story atlas featuring where movie scenes, music history, art, invention, books and biographies took place. Stories are also geo-tagged at the world's most photographed spots. The present is also geo-tagged to see the future.
Saturday, November 2, 2013
A World Without Music
The meaning of music has been a lifelong meditation of mine.
When I first heard The Beatles Across the Universe, I was
only 7 years old. My mind started to drift and I started seeing things only
music could show...imagined dreams. I’d later get the
same feeling listening to songs during a night drive or playing
vinyl records for hours. Every time Across The Universe plays, that feeling I had at 7 still lingers.
* * *
Music, at its best, invents a new genre. And suddenly, new identities form for a new generation. It's been said many times, music saves lives and gives people purpose. We are reminded of the human spirit and its power through music.
Music is present everywhere, every minute. No business is as
omnipresent. And it's probably the most taken for granted art, just because it's everywhere.
So when tasked with
making a business out of music in the modern era, it’s baffling why
it’s been such a struggle. Unlike any other business, music is everywhere. It would be hard to find a product people love more than music. Music is also behind some of the most successful technology businesses (Apple, YouTube etc). So why isn’t music as successful as a cellular service? Or a computer company?
I’ve long blamed copyright.
Not because I don’t want Artists
to be paid, but rather, the format for copyright is from Elizabethan times and cannot cope
with modern behavior and distribution. It takes years (more than a decade sometimes) before copyright has new laws for channels that never existed before. That's a pace for bankruptcy.
Copyright was designed to be geographical and mechanical in nature. It works in a paper world that is internet-less where the product is physical. Copyright works in a music world with boundaries that no longer exist. The industry nobly protects copyright with good intentions for the most part. But it clearly doesn’t work anymore. So keeping copyright is in essence a slow suicide for the payment of Artists.
There’s long been a model of having every household pay $5 a
month for all-you-can-eat music. Doing the math, that’s already far more than what a household
pays for albums today. It's a guarantee of 6-12 albums a year bought by every household. You can then also easily
see how music can charge like a cell phone with premium music services. But copyright cannot accommodate new digital channels. The rights are not there to be given. There’s no geographic border or penny-counting mechanism
copyright loves to enforce. And so, this is yet another feasible business model that just dies before birth. Almost every new model for music dies just like this. It gets the axe from copyright.
I once bought 3000 downloads. But I stopped willingly buying downloads when my machine died and, along with it, the songs were gone.
Sure, I had rights to re-download them again…but who has the time to download
3000 songs?
The pain of losing so many songs has never left me. I loved each Artist.
* * *
Suddenly, I wondered if music were ever to become extinct.
What would that be like?
The radio would only have spoken word – all news, all day
long. Talk shows. Movies would only have the grating sounds of the city and
human dialogue. Elevators would be quiet. So would every phone, every iPod and
every computer.
Phones would no longer ring.
TV commercials would be mostly silent.
You would no longer be able to walk into a bar with music.
There’d be no dancing.
Music is the only creative genre where you can walk into any town and see a show. It’s the last daily community on earth in urban
centres. There’d be no more community without music.
Long work hours or jogs would be silent or filled with
noise.
Baseball stadiums and hockey arenas would only have the din of the crowd. No more marching bands at football games.
Video games would only have gunfire and sound f/x .
No choirs would fill a church. No more Christmas caroling.
Many Apple products would be out of business. I actually can't see anyone wanting to use a computer without music. Music is a machine's creative soul.
YouTube would be would be out of business.
The awesome spirit of life can no longer be represented in
sound.
* * *
But this is far from reality. Today, the opposite is
happening. We have more songs released in one year than all songs combined in
music history before the internet.
It got fixed by copyright at 99 cents a song without
requirement to recommend or rank 1 song admidst 28 million other songs. The
odds of being found are miniscule unless you personally know the Artist. An Artist is a small fish in the world’s
largest creative pond, making less than buck if discovered.
So the net math is…great undiscovered music is buried. Few musicians make money. Copyright rules.
And there’s oversupply (by a lot). Today there are more songs released in 1 year than 25x the entire back catalogue of music before downloads.
We have plenty of music but great music is dying.
Everyone has the tools to make a song fast. Few have the wherewithal
to make a great song last, and if so, be found.
In some years, Top 10 songs account for 80% of the revenues.
.
Wednesday, October 30, 2013
"Squeezing complicated lives into a simple headline"
Media has no time for courage today. It's click as fast as possible.
To get a story, Nellie Bly fooled NYPD, the New York Times, New York Sun, Bellevue doctors and a judge feigning insanity to expose asylum conditions on Roosevelt Island as an undercover patient. She wrote Ten Days In A Mad-House for Joseph Pulitzer's New York World.
Today, gourmet stories are no longer digested. Readers drink quick Kool-Aid.
"Squeezing complicated lives into a simple headline."
Nellie's next journalistic expedition set a world record for going "Around the World in 72 Days." She went from Jersey to Jersey meeting Jules Verne in France.
Today, media is about being "liked." "Like" is the world's most popular human activity for ads.
Grew up in Pittsburgh
Nellie broke into journalism at age 21, when women were unwelcome, writing in a steel town. She persisted writing on topics no one else had challenged, defining the essence of investigative journalism.
929 Flushing Ave, Brooklyn
words no longer kept
i saw the best minds of a generation
busy hysterically
yearning to be free
from the machinery
tech lets you do more
of less and less
gives you speed
to be busier and busier
people write more
conveying less and less
words are no longer kept
words without beats
(words that stay in the memory beat on)
Wednesday, August 21, 2013
Unique
94 St Mark's Place, NY
Truth be told, I was afraid.
Truth be told, I was afraid.
Though I was shielded by darkness in the audience, this was
a room, where it felt like all eyes were upon you (and looking through you).
Everyone was unique. That’s the toughest audience you can
possibly get.
I mean, can you imagine if poet Tim Shea and Joe Yoga were to uniquely articulate thoughts about your art? Art is always in mixed emotion so I’d not
expect one flavor. Or, can you imagine Mike Milazzo playing guitar strings so
hard, and you wondering if you worked hard enough for Art? And what if you saw Killy Mockstar Dwyer creating
physical illusions with dazzling movements, making you wonder if your art was even magical? And let’s face it, having a guy named “Satan” as a viewer can be intimidating.
Unique people make you question a lot--and wonder in awe.
So much could unexpectedly happen in 7 minutes. And so much did.
If people were to ask, where can you find a place to be creatively versatile like Patti Smith, this basement room would be it at Under St Mark's Theater where Penny's Open Mic has been staged every Tuesday for 6 years. It’s not just because of sheer
madness – people singing “Where Is My Mind?” – that Penny’s Open Mic poetically
lasted this long. Not even Sandy pummeling Manhattan lights could stop Penny's Open Mic on a Tuesday.
I note: No power outage made “Somehwere in the Dark” look darker. After Sandy, the flag of piracy that said "Penny’s Open Mic" still waved outside Penny’s famed Ludlow Street APT candlelit above a darkened bar sign. Power out.
There’s something special about a stage that heralds uniqueness.
I’ve written three times already on Penny’s Open Mic, inspired
by a different muse each time that came with the night. For the final night of Penny’s
Open Mic, I didn’t want to reminisce about what was written because who repeats an act on a stage that is all about uniqueness?
But this is true. When I wrote those 3 pieces about Penny’s Open Mic, I
didn’t tell anyone. I was truly afraid of what so many unique talents would
think--even after I’d written a well-received piece about that night of “Risk." The second piece on "Avant Garde" night was in the style of surrealism, fragmented like
a Picasso painting. Did it work out? I didn’t know.
I’d wait months – sometimes half a year – before
people would discover the writing posted quietly. They’d say they liked it or
loved it, and until then, I thought no one did.
A writer hears a voice to write but sometimes you think
only you understand that voice. That’s the nature of unique.
They’ll be a lot of people who are tone deaf to the voice of
unique.
But not on this stage. People who are unlike you will like you. Their differences will sharpen your work, making it edgier.
Penny Pollak is magic. I always say she should be the Mayor
of New York because she knows how to host “unique.” After 6
years, she'll be doing it one last Tuesday, August 27, 2013.
She'll be having a new exciting creative chapter next. It’s no surprise
American X director Tony Kaye is making the film Abigail with Penny. They
are two individuals who break the mold.
Who doesn’t love Penny’s creativity, spirit and blue jacket
found on the fence? Not to mention her fire breathing.
She uniquely can make a small space seem so big, turning a bathtub into a stage. Winnipeg and Scotland know.
* * *
Her eyes didn't just look at you.
They sent a spirit into you and you suddenly performed.
The underground is not about press. But I’ll tell ya, the
press wrote stuff they never write for any place else:
"Possibly the best venue in New York City for performers who like to take risks."
~ CBS
“Every Tuesday night, in a tiny theater hidden below a busy East Village street, some of the city’s most inventive minds take the stage.” ~ New York Magazine.
And I say, in my lifetime, it’s the best deal in New York ever.
For $3, you will see crafty words and performances from people who believe:
* * *
I had writer’s block on what to write one last time for
Penny’s Open Mic. Then the muse finally came.
"nearly napping, suddenly there came a tapping"
I was inspired by Killy Mockstar Dwyer’s speech for Revelation night at Penny's Open Mic:
“I think one, if not the most important revelation that I came to gradually over my time at Penny's Open Mic, is that I truly wanted do something that no one else is doing. To strive every day for that almost impossible goal, anyway. I wanted to be an entirely unique artist and entertainer. To be incomparable. I think after more than 6 years of trial, error, success and failure, I am pretty damn close. I'm not really a comedian. I'm not exactly a musician. I'm not an actress or a dancer or a puppeteer or a filmmaker. I'm a imperfectly perfect amalgamation of all of those things and more. I'm someone that rebels against fitting in and following a path. With the help of Penny and Penny's Open Mic I blazed my own zigzagging, bumpy, beautiful winding road, flanked with the lovely graffiti of experience, failure, love, support, time, bravery and risk - with lifelong friends to hold my hand along the way. There aren't words that offer my gratitude for the space to fall and fly - "jump and the net will appear". There is only the still forming, ever changing artist that stands before the audience wherever I land, giving 110% of everything I am and the residual experience of every performance I had the esteemed honor to witness and learn from in a underground, black box theater on St. Marks street.”
* * *
Addendum - Week #314 straight, Penny's Open Mic #314. 68 people showed up to perform.
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